This painting by Craig Hood is, I think, one of my favorite paintings ever. Hobos, babies, parenting manuals? Hood says the piece is about love, really. The color and composition, the light and shadow, the small details and large shapes of beautiful mixed, layered paint -- I like everything about this.Sunday, January 31, 2010
Langdon Quin and Craig Hood
This painting by Craig Hood is, I think, one of my favorite paintings ever. Hobos, babies, parenting manuals? Hood says the piece is about love, really. The color and composition, the light and shadow, the small details and large shapes of beautiful mixed, layered paint -- I like everything about this.Saturday, January 30, 2010
william kentridge and darwyn cooke
William Kentridge's "Automatic Writing" -- Watch it! Watch it! Since I've started teaching drawing, I've always used Kentridge's work to wow my students. Last semester we took a field trip to see some of his prints at the Kreeger Museum. I've loved his work since 2001, when I saw a big show of his work at the Hirshhorn, and I can't wait to see the upcoming MOMA show I read about in the New Yorker:

Another cool art thing: this weekend I went with a friend to the Smithsonian American Art Museum for a booktalk and signing by comic book artist/"storyteller" Darwyn Cooke. He recently published a graphic novel adaptation of an intense crime novel, and he drew everything by hand using ink and wash -- apparently a rarity in contemporary mainstream comics since the advent of digital technology. I always mention comic book art -- and show Kentridge's work, too -- when I teach a drawing unit on narrative art. And now I know a little more about it. My students have done some pretty cool stuff.
Darwyn Cooke, The Hunter
Sunday, January 24, 2010
Great Painting Blog
On related note, I am lookng forward to seeing "For The Common Object," a show by the Zeuxis group of still life painters, of which Kehoe and one of my former professors are members. The participating "artists...agreed to produce a still life incorporating an ordinary dishtowel. Their approaches to this humble tool of daily life demonstrate the many ways in which still life painters can, in the words of John Updike, 'give the mundane its beautiful due.'"

Mark Karnes
Tuesday, January 19, 2010
Devorah Sperber
This is incedible. Devorah Sperber recreates masterworks using spools of thread. See her work here: http://www.devorahsperber.com/.Wednesday, December 16, 2009
Student Work

Friday, December 11, 2009
Holiday Crafts Workshop


Monday, December 7, 2009
Coptic Bookbinding with Mary
http://en.wikipedia.org/wiki/Coptic_binding
http://www.bookbindingteam.com/2007/10/chain-stitch.html


Saturday, October 10, 2009
Collage Class



I took a fun collage class at Pyramid Atlantic in Silver Spring. Here are my little collages inspired by artist Judy Pfaff.
Monday, October 5, 2009
Calvino and 2 wonderful peoms
In Ersilia, to establish the relationships that sustain the city's life, the inhabitants stretch strings from the corners of the houses, white or black or gray or black-and-white according to whether they mark a relationship of blood, of trade, authority, agency. When the strings become so numerous that you can no longer pass among them, the inhabitants leave: the houses are dismantled; only the strings and their supports remain.
From a mountainside, camping with their household goods, Ersilia's refugees look at the labyrinth of taut strings and poles that rise in the plain. That is the city of Ersilia still, and they are nothing.
They rebuild Ersilia elsewhere. They weave a similar pattern of strings which they would like to be more complex and at the same time more regular than the other. Then they abandon it and take themselves and their houses still farther away.
Thus, when traveling in the territory of Ersilia, you come upon the ruins of abandoned cities, without the walls which do not last, without the bones of the dead which the wind rolls away: spiderwebs of intricate relationships seeking a form.
Also, 2 fab poems (or peoms):
Monet Refuses the Operation by Lisa Moeller
Maybe All This by Wislawa Szymborska (included in a great book by Lawrence Weschler, Vermeer in Bosnia)
*peoms is my intended spelling as a tribute to LeVar Burton*







